مواد مصرفی در تولید سرامیک
مادهی اصلی مصرفی تولید سرامیک به طور عمده خاک کائولن میباشد.
دیگر مواد مصرفی شامل: فلدسپار- پودر شیشه- بالکلی- سیلیس- چسب سیلیکات- کربنات سدیم- بوراکس- اکسیدهای فلزی: اکسید آهن- اکسید مس- اکسید منگنز- رنگهای معدنی- لاستر طلا- لاستر نقره و لاستر پلاتین و گچ.
تجهیزات کارگاهی
کورهی پخت سرامیک- چرخ سفالگری و مدلسازی- مخزن همزندار- میز کار- خمیرگیر 20 کیلوگرم- پرس برقی کوچک- سمباده- ابر- ابزارهای تراش و حجمسازی انواع قلمو (تهگرد- بادبزنی و تخت) در سایزهای مختلف.
ساخت فرم، پایه و اساس ساخت سرامیکهای مختلف و حجمهای سرامیکی میباشد. امروزه برای ساخت فرم از دستگاههای فرمدهی نیز استفاده میگردد، ولی این روش مناسب حجمهایی خواهد بود که همیشه معمولاً ثابت هستند یا تیراژ بسیار بالایی دارند. این در حالی است که سرامیک هنری و فرمهای هنری در حال تغییر بوده و دائماً هنرمند ایدهها و طرحهای جدید میآفریند و حتی میتواند این ایده و طرح را برای تولید، به دیگر کارخانههای تولیدی نیز عرضه نموده و بفروشد.
اصول اولیهی فرمدهی میتواند با متریالهای متفاوت انجام شود ولی بیشتر با گل چرخکاری این انجام میشود یا با گچ این کار را میکنند. پس از فرمدهی و آماده شدن قالب معکوسِ فرم اصلی، معمولاً مادر قالب ساخته میشود و سپس قالبهای تکثیر از مادر قالب ساخته میشوند جنس قالبهای تکثیر از گچ میباشد و هر چند تا که مورد نیاز باشد برای تولید روزانه، میتوان تکثیر کرد.
مزایای این روش به چرخکاری با دست این است که هم تعداد تولید محصول در روز میتواند بالا باشد و هم حجمها یکسان و بیایراد باشد و در عین حال این محصولات به ارزانترین و مقرون به صرفهترین روش تولید میشوند.
اکثر مراحل تولید سرامیک هنری در تمامی بخشهایش از فرمینگ و قالبسازی گرفته تا محصول نهایی که حتی در موزه قرار میگیرد، بیشتر به توانایی دست و دانش ساخت محصول در کنار دانش هنری وی وابسته میباشد. در این عرصه معمولاً مشکل آنجا است که هنرمندان هنری بودن یا مهارت آثار را دارند و یا در حیطهی سنتی مهارت دارند و یا اینکه فقط در ساخت بدنه مهارت داشته و ایدهی خلاقانه در این مورد ندارند. لذا تسلط به همهی موارد ذکر شده در این شغل بسیار حائز اهمیت میباشد.
ساخت فرم و قالبسازی
با هدف طراحی و ایدهپردازی ایجاد فرمهای پایه برای تولید سرامیکهای مختلف
تولید این ظروف معمولاً تیراژ بالا میباشد. برای مثال: تولیدی خود ما در این زمینه میتوان به شکلاتخوریها با رویکرد به دورههای تاریخی ایران به لحاظ مهمانیها و جشنهای باستانی متعدد اشاره کرد. به طوری که با تغییراتی در این آثار میتوان به ساخت آثار با تقابل فرهنگی و هنری اشاره نمود.
Exclusive works with the approach of galactic and cosmic designs with unique artistic glaze
Designing and building artistic glaze (pottery) with different techniques and various artistic glazes in target ceramics of production, order advertising works
Design and sale of the works in the tourism sector
Design and production in the public sales sector in the community
High sales range of these works: galleries, art exhibitions, markets, online stores.
Suitable for the sale in the form of logo and color ads
The idea of consumable containers with the approach of galactic and cosmic designs has been a personal idea and different techniques are used in these works, so that raw provided dishes are covered with colored oxides once at this stage and after placing in the furnace for the first time are covered with special glaze and then second and third placement in the furnace is done.
The different speeds of potter's wheel help to obtain galactic items. Interestingly, the furnace and its atmosphere also affect these works, thus all the works obtained are unique and different from each other, each work has its own identity like the fingerprints of the individuals.
Given that works can be produced in different color ranges, the variety of its production will also be great. One of the interesting ideas of these technique is to produce lung and mug glasses and any other volume or form with the flag of Canada which uses a beautiful natural design of maple leaf, so that in this idea, this design as a golden lusterwhich in its background bright shade forest colors and nature colors that indicate the forests and prosperity of Canada are combined, and these works are very attractive for the citizens of this country in all its provinces and beyond that it will be very attractive for tourists.
In these works, it is also possible to create designs and patterns and writing and logo in the background of work with different colors, so that each company or organization has its own design or logo and it is possible to use it as advertisement on consumable dishes or decoration. Even if the company, or organization or brand follows a certain color, it will be possible to produce color in its background.
Persian blue glaze that has long been used in Iranian civilization and culture and has a special place in the world, this glaze is obtained from the combination of copper oxide in alkaline glaze and used in Iranian garden pools, this glaze has also used in consumable and decorative containers of that time. Because the glaze in consumable containers has a completely alkaline environment so it is considered as the healthiest type of container and dish for foods, while copper oxide turns green in lead glazes and has been known as consumable glaze.
Bluish glaze in decorative containers and dishes still has a relatively good durability, but it did not have a good durability on the tiles which have been used outdoors in the past. Thus, we tried to make changes in the body and glaze of this type of tiles and we have made this type of ceramic very durable so that it can be used even in outdoor spaces and in very cold weather.
This glaze has an extraordinary color spectrum and shine and it has a cultural originality that cannot be made with other techniques and materials.
These works in parks and gardens can give new life to these architectural and urban spaces and even this type of color and glaze can be very beautiful and functional in terms of the association of sky and water color on the ground for subway and underground spaces of modern cities and can bring the turquoise color of the sky to these spaces which can enhance the sprite of the subway underground architecture.
Application of this type of glaze will be very useful in different areas and integrated fields and even for modern and traditional integrated design.
The technique of working on this type of ceramic is very extensive that we usually have used embossed techniques, all types of designs and patterns and writings in these works, but mesh (reticular) and scallop techniques and creating texture and etc. can also be very useful and functional in this type of ceramic production.
This glaze causes contrast in the case of embossing in the furnace atmosphere which raises the beauty of work. Bluish glaze can create fantastic effects with azure and black colors which are used under the glaze. Even this type of glaze is compatible with gold lusterand doubles the beauty of work.
We have also applied this type of glaze on embroidery and cross tiles which can be used with simple and prominent designs in all spaces, embroidery and cross tiles have cultural support and historical originality that today we can see some samples of these tiles in museums.
The target community of this type o works can be very large and widespread, including reconstruction of museums works which can be displayed in galleries, exhibitions and museums.
Community architects and interior/exterior designers of various buildings such as hotels and … community of architects and urban planners and various beautification planners who like to make differences in their designs and combine with different materials to create attractive art works and like to imagine and see the created work during etching (engraving) which naturally requires experience in this field.
Also, in this type of etching (engraving), because it is done on raw pottery, the artist must have the skill of controlling it so that the soil of the body does not mix with the paint.
We perform painting processor on pottery for some works, processor (Pardaz) is one of the traditional Iranian miniature terms that the artist chooses this type of engraving to create the work and we have done it on the pottery and we perform it in underglaze painting which is unique in exquisite works. Work idea and training for underglaze painting is great.
Underglaze painting is used on dishes and containers, mass and tiles and it can be used on tiles around the mirror and that it can give a visual and beauty luster for decoration in different architectural spaces. Durability and hygienic nature of these artistic works make it possible to mount such painting in any place, for example, consider and imagine the design of pattern of a carpet with pleasant colors on ceramics in large size, mounted on an entrance wall of a hotel.
Or underglaze painting dishes and containers which can be liked by public or even tourists.
Another attractive idea for producing some exquisite underglaze painting works is the valuable and precious gifts that are offered at high levels which will have a special place in cultural confrontation.
And/or embossed pattern and design in large size along with different design and pattern inside an entrance fountain of parks or tower spaces that can be seen from the top of towers, how interesting and inspiring it will be and is also significant for architects and builders of urban and beautification projects.
Vase painting and painting on ceramics (underglaze painting)
These works are available at museums, galleries, exhibitions and online galleries.
It can be mounted in interior, exterior architecture and decoration of different spaces and/or in fountain and pools and beautification of parks or urban spaces.
Vase painting or underglaze painting can be considered as one of the most important works of creating artistic ceramics which causes the production of valuable works in both traditional and modern designs or integrated designs.
Underglaze painting always works with various techniques and methods and the area of production and ideation in art works in this field is very abundant.
Embossed painting is one of the ceramic techniques and allows the creation of different artworks. Embossed painting in underglaze painting has a very high durability compared to other painting because a layer of glass cortex comes on it and also allows the installation in different architectural environment so that today we can see the works remained from more than 2000 years ago.
Therefore, it can be very useful in architectural and decorative spaces.
Given that today we can work the transparent of glaze in an integrative form and control it, therefore, in modern and traditional designs we can get the desired artistic result in this field. The paints used in underglaze painting are mineral which implement on raw ceramics. These paints can be baked at high temperatures and give a special visual effect and originality to artworks.
It should be noted that there are certain differences between working with mineral paints and other painting techniques, in mineral paints there is no possibility to combine the paint as it is done in oil paints to achieve the desired color of the artist and the master must be so skilled that the final color after full baking …
کاشی
یکی دیگر از بخش های حوزه کاری برای تولید سرامیک تولید کاشی می باشد . که به چندین روش تولید کاشی های دست ساز سنتی و مدرن و نقاشی روی کاشی های آماده صورت می پذیرد. آقای سید هادی فخرایی اقدم در زمینه نقاشی روی کاشی ابتکار جدیدی را خلق کرده که به واسطه آن می توان تکنیک های نقاشی رنگ روغن را روی کاشی انجام داد و این کاشی ها لعاب پخت شود، به طوری که نقش ها وتکنیک ها قابل روئیت باشد ، و نتیجه کار حرفه ای تر و زیباتر باشند. در این روش تنها آیتمی که زیاد تغییر نمی یابد رنگ ها می باشد، که با رنگ های دما بلا و محدود سروکار داریم. برای بهبود این مساله هنرمند باید از مخلوط رنگ ها به صورت تجربی استفاده نماید.
یکی دیگر از آیتم های کار با کاشی ساخت کاشی ها به خصوص کاشی های آبیفام می باشند. که در این کاشی ها نیز موفق شده ایم کاشی هایی درست کنیم که ترک گذز زمان نداشته باشد. با توجه به ترکی بودن لعاب های قلیایی و مقاومت کم آنها این مشکل از دیر باز در این نوع کاشی ها مشاهده میشده. ولی به خاطر لعاب بسیار زیبا و شفاف مورد استفاده قرار می گرفته. امروز ما با همان شفافیت و زیبایی لعاب های قلیایی را می سازیم که مشکل قدیمی خود رانداشته باشد. این نوع کاشی ها می توانند در بافت مخصوص شهری و داخل حوض ها و نمای تلفیقی معماری کاربردی و بسیار زیبا داشته باشند.
Another part of the work area for ceramic production is tile production. which is done by several methods of producing traditional and modern handmade tiles and painting on ready-made tiles. Mr. Seyed Hadi Fakhraei Aghdam has created a new initiative in the field of painting on tiles, through which oil painting techniques can be done on tiles and these tiles are glazed, so that the patterns and techniques can be seen. And the results are more professional and beautiful. In this method, the only item that does not change much is the colors, which we are dealing with limited temperature colors. To improve this problem, the artist should use the mixture of colors experimentally.
Another item of working with tiles is making tiles, especially persianblue. In these tiles, we have succeeded in making
tiles that will not crack over time. Due to the cracking of alkaline glazes and their low resistance, this problem has long been observed in this type of tiles. But it is used because of its very beautiful and transparent glaze. Today, we make alkaline glazes with the same transparency and beauty that do not have their old problems. These types of tiles can have a functional and very beautiful architecture in a special urban context and inside ponds
احیاء و تولید لعاب Persian blue (فیروزه ایرانی)
با هدف باز تولید کارهای سنتی موجود در موزهها و بناهای تاریخی قابل ارائه در موزه و گالری و نمایشگاه طراحی و ساخت سرامیک آبی فام در ایدههای جدید و طراحی و تلفیقی با متریالهای متفاوت تولید کاشیهای آبی فام در حوضهای باغهای ایرانی و با نگرش پذیرش طراحی و اجرائی پروژههای معماری و طراحی و اجرای پروژههای زیباسازی شهری.
Regeneration and production of Persian blue glaze (Persian turquoise)
Aiming to reproduce existing traditional works in museums and historical monuments which is available in museums and gallery and exhibition of designing and creating bluish ceramics with new ideas and design and integrated design with different materials for producing bluish tiles in fountains and pools of Iranian gardens and with acceptance attitude of designing and implementing architectural projects and designing and implementing urban beautification projects.
نسال-1893
هنرمندان خود اشتغال
طراحی و اجرای ساخت کاشی کاری فضا های سنتی و مدرن و نقاشی رو لعابی و فیروزه آبیفام .طراحی و ساخت ظروف هنری مخصوص کافه رستوران هتل منزل و غیره
سید هادی فخرایی اقدم
هنرمند و کارشناس نقاشی حرفه ای. طراحی و ساخت فرم های سرامیکی و قالب سرامیک . ساخت مادر قالب .راه انداز A-Z کارگاه سرامیک .طراح و نقاش با اجرای زیر لعابی .طراحی و ساخت کاشی های دست ساز و نقاشی رو لعابی و آبیفام.
فرشته پاکار
سرامیست
اجرای طرح رو ی سفال .برجسته کاری و کنده کاری جهت ساخت ظروف سرامیکی هنری. ساخت حجم های دوغابی .اجرای لعاب کاری قطعه ای .فرمولاسیون بدنه.